Method Actors Training Centre
Training Courses in Pretoria

The Method Actor’s Training Centre is the only acting school we know of in South Africa.
in order to give a.
overall sensation) and express the response freely and fully.
smell and.
actors to experience sense memory (sight, Constantin.
by the great Russian director, throughout a lifetime of research and.
and actor, The Method.
Stanislavsky, .
trains.
experimentation.Unlike the usual drama training obtainable in South Africa, taste, touch, sound, teacher.
his techniques on the results obtained.
recrea. He based.
recall and emotional memory in order to.
learn how to employ sensory.
methods we know today. Actors.
who brought about the real, who was one of.
The Method acting course.
that specializes in Method Acting.
truthful, believable acting.
pioneers in the USA.
the.
is based on the techniques developed by Lee Strasberg, real performance time after time.

At the Method Actors’ Training Centre we teach you to be the best actor you can be so you will be fully prepared to enter the professional industry. Through classes in Method Acting and Voice you develop your instrument, analytical and performance skills, creativity, essential acting and voice techniques. The Introduction to Acting course provides beginner actors with basic acting and voice skills and assists students who require preparation to enter the Method Course. Those that have recently left school and want to prepare themselves for a career in the entertainment industry (actor, director or performer) or as actingteachers. It has been proven that public speaking is a much feared activity! An Introduction to Acting will prepare and assist those who need to give talks, do presentations or deal with the public as part of their jobs. Those who have always been interested in acting but ended up doing something else instead and now feel a need to give their creativity some breathing space! Stephanie van Niekerk has 23 years of experience in acting, directing and teaching. But work has to be done on his acting instrument, which is composed of his mind, his emotions and his body. He understands the play, and he assumes that he is doing on the stage everything that he understands, when obviously he is not. That is the technical problem in any art; that an individual's understanding does not coincide with his capacity. The understanding reaches out, but the capacity makes for what he really does.